1MIDI2ABC(1)                 General Commands Manual                MIDI2ABC(1)
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NAME

6       midi2abc - program to convert MIDI format files to abc notation
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SYNOPSIS

9       midi2abc  -f  infile [-xa] [-ga] [-a acbeats] [-m time signature] [-ppu
10       parts per unit] [-aul denominator of unit length] [-gu] [-b  bars]  [-Q
11       tempo]  [-u  pulses]  [-k  key]  [-c channel] [-obpl] [-bpl bars] [-bps
12       bars] [-o filename] [-s] [-sr units] [-sum] [-nb] [-nt]  [-splitvoices]
13       [-midigram]  [-mftext] [-mftextpulses] [-nogr] [-title string] [-origin
14       string]
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DESCRIPTION

20       midi2abc takes a MIDI format file and converts it to something as close
21       as  possible  to  abc text format. The user then has to add text fields
22       not present in the MIDI header and possibly tidy up the abc  note  out‐
23       put.
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25       The  output of midi2abc is printed to the screen. To save it to a file,
26       use the redirection operator, (e.g. midi2abc -f file.mid > file.abc) or
27       specify the output file using the -o option.
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29       Use  only  one  or none of the options -u -gu, -b and -Q. Midi2abc nor‐
30       mally converts the MIDI time units into quantum units  normally  corre‐
31       sponding  to  the  abc 1/16th note or 1/32nd note.  If none of these is
32       present, the program will use the PPQN information in the  MIDI  header
33       to  compute  the suitable conversion factor. For most MIDI files on the
34       web, it is recommended to rely on the MIDI header information  and  not
35       use any of the options other than the formatting options.
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37       The  program  will extract the time signature information from the MIDI
38       file if it is present. Otherwise it will assume 4/4 or you could  spec‐
39       ify it with -m. option.
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41       If  the tune has an anacrusis, you can use either the -ga or -xa option
42       to estimate the its length. Alternatively, you can  specify  its  value
43       using  the  -a option. The anacrusis is specified in half unit lengths,
44       where the unit length is defined by the L: field.  For  example  if  L:
45       1/8,  then  a  quarter  note would be indicated by the value 4, (4 1/16
46       units).
47
48   OPTIONS
49       -a acbeats
50              where acbeats specifies the anacrusis in half unit lengths.
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52       -xa    extract the anacrusis from file by finding the first strong note
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54       -ga    guess the anacrusis by minimizing the number of ties across bars
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56       -m time signature
57              time signature
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59       -b bars
60              number of bars wanted in output
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62       -Q tempo
63              tempo in quarter-notes per minute
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65       -u pulses
66              Allows you to specify directly the number of midi pulses per abc
67              time unit.
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69       -ppu parts per abc unit length
70              Normally,  the  smallest  note unit that midi2abc can extract is
71              half the L: unit length.This is called the quantum  unit.   Thus
72              for  L: 1/8, midi2abc can extract 1/16 notes but not 1/32 notes.
73              You can change this by specifying -ppu 4 for example. The number
74              of parts should be a power of 2.
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76       -aul denominator of abc unit length
77              Normally midi2abc chooses a unit length of 1/8 or 1/16 depending
78              upon the time signature. For time signatures  smaller  than  3/4
79              the  L:  1/16  is  used and for larger time signatures L: 1/8 is
80              used. You can specify the unit length to be used using this  pa‐
81              rameter.  Thus  -aul 32 will cause midi2abc to use a unit length
82              of 1/32 nd note.
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84       -gu    Tells midi2abc to estimate the number of  midi  pulses  per  abc
85              time unit from the note duration or spacing in the MIDI file.
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87       -gk    Tells midi2abc to guess the key signature by minimizing the num‐
88              ber of accidentals even if the key signature is  already  speci‐
89              fied  in  the MIDI file. By default the key signature is the one
90              specified in the MIDI file.  If it is not  specified,  then  the
91              program guesses the key signature by minimizing accidentals.
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93       -k key key signature: -6 to 6 sharps.
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95       -c channel
96              select only this midi channel.
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98       -f infile
99              input file in midi format
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101       -o output file
102              specifies the output abc file name.
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104       -s     do not discard very short notes.
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106       -sr quantum units
107              do not notate a short rest smaller than the specified size after
108              a note. If the size (in quantum units) is zero, nothing is done.
109              For larger values, the rest is absorbed into the preceding note.
110              In other words, the preceding note is lengthened to include that
111              rest.
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113       -sum   print a short summary of the input midi file.
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115       -nb    do not look for broken rhythms
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117       -nt    do not look for triplets
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119       -obpl  Print only one bar per line instead of 4. For complex music this
120              improves the readability and avoids some problems with some  abc
121              to postscript converters. This option is deprecated.
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123       -nogr  (No  note grouping.) Inserts a space between all notes. It makes
124              a less pretty postscript file but it is easier to edit.
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126       -bpl nbars
127              Print nbars of music on every line followed by a backslash.
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129       -bps nbars
130              When nbars have been printed (including those lines joined by  a
131              backslash continuation) go to a new line (with no backslash).
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133       -splitvoices
134              This  parameter handles polyphonic chords by splitting an entire
135              voice into multiple voices. (A polyphonic chord is a chord  com‐
136              posed  of notes that do not start or end at the same time.) Nor‐
137              mally, midi2abc joins the longer notes to the notes in the  fol‐
138              lowing  chord  using ties.  Here is an example:  [Bd-]d [Bd-]d|.
139              This should be separated into two voices ideally  Bz Bz  and  d2
140              d2.  However,  the separation is not unique. Bz d2 and d2 Bz are
141              also ok.
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143       -midigram
144              When this option appears, all other options are ignored  and  no
145              abc  file  is  produced. Instead a list of all notes in the MIDI
146              file are printed in a fixed format. Each line represents a  pair
147              of  MIDI note on/off event. The line contains the on/off time of
148              the note, its track number, channel number, midi pitch and  midi
149              velocity.  The  last  record  indicates the duration of the MIDI
150              file in MIDI pulse units. The output is designed to  go  into  a
151              graphical  user  interface which will produce a graphical repre‐
152              sentation (piano roll).
153
154       -mftext
155              When this option appears, all other options are ignored  and  no
156              abc  file  is  produced. Instead a list of all the MIDI commands
157              are printed. The output is designed to go into a graphical  user
158              interface provided by runabc.tcl.
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160       -mftextpulses
161              Same as -mftext except the time units is in midi pulses.
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163       -title string
164              Replaces  the  default  title  field following T: with the given
165              string.
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167       -origin string
168              Adds an O: field with the given string.
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173          FEATURES
174              * The key is chosen so as to minimize the number of accidentals.
175              Alternatively, the user can specify the key numerically (a posi‐
176              tive number is the number of sharps, a negative number is  minus
177              the number of flats).
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179       *  Note length can be set by specifying the total number of bars or the
180       tempo of the piece. Alternatively the note length can be read from  the
181       file.  However, by default it is deduced in a heuristic manner from the
182       inter-note distances.  This means that you do not have to use the  MIDI
183       clock as a metronome when playing in a tune from a keyboard.
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185       * Barlines are automatically inserted. The user specifies the number of
186       measures in the anacrusis before the first barline and the time  signa‐
187       ture.
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189       *  The  program  can  guess  how the length of the anacrusis, either by
190       looking for the first strong note or minimizing  the  number  of  notes
191       split by a tie across a barline.
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193       *  Where  a  note extends beyond a bar break, it is split into two tied
194       notes.
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196       * The output has 4 bars per line.
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198       * Enough accidental signs are put in the music to ensure that no  pitch
199       errors occur if a barline is added or deleted.
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201       * The program attempts to group notes sensibly in each bar.
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203       * Triplets and broken rhythm (a>b) are supported.
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205       * Chords are identified.
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207       * Text information from the original MIDI file is included as comments.
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209       *  The  -c  option can be used to select only 1 MIDI channel. Events on
210       other channels are ignored.
211
212   LIMITATIONS
213       midi2abc does not ...
214
215       * Supply tune title, composer or any other field apart from  X:  ,  K:,
216       Q:, M: and L: - these must be added by hand afterwards, though they may
217       have been included in the text of the MIDI file.
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219       * Support duplets, quadruplets, other esoteric features.
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221       * Support mid-tune key or time signature changes.
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223       * Deduce repeats. The output is just the notes in the input file.
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225       * Recover an abc tune as supplied to abc2midi. However, if you want  to
226       do this, "midi2abc  -xa -f file.mid" comes close.
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SEE ALSO

229       abc2ps(1), abc2midi(1), abc2abc(1)
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AUTHOR

232       James Allwright <J.R.Allwright@westminster.ac.uk>
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SUPPORTED

235       Seymour Shlien <fy733@ncf.ca>
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VERSION

238       This man page describes midi2abc version 2.91 from March 09 2008.
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241       Copyright 1999 James Allwright
242
243       midi2abc  does  not  work  correctly if lyrics are embedded in the same
244       track as the notes. If you are producing the MIDI file using  abc2midi,
245       use  the  -STFW  option to ensure that the lyrics are put in a separate
246       track.
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248       midi2abc is supplied "as is" without any warranty. It is free  software
249       and can be used, copied, modified and distributed without fee under the
250       terms of the GNU General Public License.
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255                                1 January 2017                     MIDI2ABC(1)
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